Case report · RUN-2
RUN, Inc.
Open case ↗Needs attention
- The active RUN catalogue lists recording scope for both selected tracks, but the five active, searchable RUN organization documents contain no instrument identifying either work and granting its master rights to RUN. Confirm the work-specific master-rights chain from evidence outside or within the library; this search is not proof that no instrument exists.
- No Copyright Office registration match was found in the registry index for either selected track/ISRC. No case-level registration number was supplied.
Rights by work
-
Date Date — ISRC CA5KR0041828
- Master: RUN's active catalogue asserts recording scope. The checked documents and registration index do not establish a track-specific grant or registered claim to RUN; master ownership/title remains unconfirmed.
- Composition: Not listed for this work.
-
Mi Primera Chamba — ISRC CA5KR2412191
- Master: RUN's active catalogue asserts recording scope. The checked documents and registration index do not establish a track-specific grant or registered claim to RUN; master ownership/title remains unconfirmed.
- Composition: Not listed for this work.
Posts
TikTok times have no stored timezone.
Supporting documents
- LOIER_RUN,_Inc._Claim_Authorization_Letter_(9-16-2026)_(1)_Completed.pdf — RUN authorizes Third Chair and LOIER to pursue and settle claims concerning its “Company Content.” A BoldSign PDF signature is present and cryptographically valid (signed 17 Sep 2026); the certificate chain could not be validated. The letter does not identify these tracks or establish RUN's underlying ownership.
Document check
Still needed
- Work-specific evidence connecting the initial master rights holder(s) to RUN for “Date Date” and “Mi Primera Chamba.” Confirm the exact instruments and any intervening transfers.
What supports the chain
RUN, Inc. is the case-owning rightsholder and its active catalogue includes the two Spotify recordings. The signed general authorization supports Third Chair/LOIER's authority to act for RUN regarding Company Content, but neither catalogue inclusion nor that authorization proves title. No composition estate is listed for either work.
Coverage: 2 active claims, 2 TikTok posts, and 2 distinct catalogue works. Both posts resolved to platform records; timestamps have no stored timezone. All 5 active RUN organization documents were searchable and had extracted text; none mentions either selected title or ISRC. The two synchronization licenses concern different works and were not treated as title evidence.